Originally published on Seen and Heard International
Brahms’ Second Piano Concerto is a meaty work.. It may not be as imposing as Mahler’s Third Symphony, but large enough in musical vision that it places great demand on both soloist and orchestra. Thus, it was an appropriate choice for Klaus Mäkelä’s second week with the Chicago Symphony Orchestra, and an equally fitting farewell for Daniil Trifonov, concluding his season-long role as the CSO’s artist in residence for 2024–25.
Continue reading CSO shines under Mäkelä’s baton in trio performance of Brahms, Boulez, Dvořák
Gathering Note 