Month: August 2010

  • I had been wondering when the Seattle Symphony would announce some big, audacious, splashy farewell for Gerard Schwarz’s final season. There was a two concert Hovhaness festival and the season finale is Mahler’s Resurrection Symphony, but neither seemed a big enough way to say good bye to a conductor who oversaw the growth of the…

  • Summer is winding down, classical performance — with the exception of Seattle Opera’s head scratching new production of Tristan und Isolde – are more or less on hiatus until September. All of this leaves a blogger with little to blog about. Yet a few noteworthy bits have popped up here and there. This Sunday George…

  • By Philippa Kiraly Time was, maybe 17 years ago, when Seattle Chamber Music Society’s Summer Festival was full of well known classics. We could confidently expect to hear Brahms, Beethoven, and Schumann, Mozart and Haydn, Tchaikovsky and Dvorak. Sure there was, is, plenty to choose from among much-loved works. Some amongst us grew restless, wanting…

  • Jayce Ogren is an example of what is happening in classical music these days. He’s a conductor who has stood before some of the finest orchestras in the world. Ogren finished a tenure with the Cleveland Orchestra in 2009. He has also conducted the Boston Symphony, LA Phil, and City Opera. Before that, he was…

  • The Five is a feature I intended to start back in July. The feature was supposed to start with the musicians of the Seattle Chamber Music Society. It never able to take off because of the scheduling challenges presented by an always changing line up of musicians. I wish I could say the idea for…

  • It’s been more than a week since we learned of George Shangrow’s untimely death. In that time the tributes for this Seattle original have been growing with each day. Orchestra Seattle’s website has been turned into a rolling memorial. My favorite is from Kerry Fowler who wrote: “I was a bit nervous the night before…

  • By R.M. Campbell Memories can be short and distorted, but it seems to me, as the Seattle Chamber Music Festival enters its final week of the summer, this season has been if not the best than one of the best in its nearly 30-year history. Two things are certain. The move from the dull acoustics…

  • By Philippa Kiraly Seattle Chamber Music Society’s summer festival has headed to The Overlake School in Redmond for its final five concerts, the first of which took place in those beautiful surroundings Wednesday night. But first, the Society’s associate artistic director, James Ehnes, came out to give a tribute to the late George Shangrow, citing…

  • George Shangrow, one of Seattle’s finest musicians and musical personalities, died last night in an auto collision.  Shangrow was driving to give a talk at the Methow Valley Chamber Music Festival when a teenager crossed the center lane of the highway, crashing into Shangrow’s car, killing him. This is a tremendous loss for Seattle’s classical…

  • By R.M. Campbell Wagner’s monumental “Tristan und Isolde”  is not a stranger to Seattle Opera: it has never been approached lightly. The opera is too important, too central to the Wagner canon, too demanding to be treated with anything less than awe and respect. The last time the company mounted the opera, in 1998, it…