Month: July 2009

  • Before last night’s Seattle Chamber Music Society recital and concert got underway the festival’s stage manager gave the audience welcome news – Saint Nicholas Hall was air conditioned. Unlike the concerts from earlier in the month, Wednesday evening was unpleasant weather-wise. Seattle suffered under 100 degree temperatures and it seemed, based on my observation of…

  • It may be a little early to get out the handkerchiefs to say goodbye to Lakeside School, which has been home to the Seattle Chamber Music Festival for nearly 30 years. At the time of its beginnings, this quasi-pastoral setting in north Seattle was as much a novelty in the summer cultural life of Seattle…

  • When I started blogging in 2007 I was writing for myself. I joke with friends and colleagues that I am just a guy with a computer who loves music. I suspect most, if not all bloggers start this way. I was writing about the concerts and ensembles I was interested in. I was interviewing musicians…

  • Almost half a millenium ago, at the cathedrals of Seville, or Segovia, or Salamanca in Spain, you could have heard choristers singing music in praise or prayer. Sunday night, you could hear that same music at St. James Cathedral here in Seattle. Now, that’s longevity. The music of Francisco Guerrero and his younger compatriots Sebastian…

  • Elmar Oliveira did it again. On Sunday afternoon (July 26) the virtuoso violinist lifted the spirits of the Chamber Music Northwest audience at Kaul Auditorium with a galvanizing performance of Ernst Bloch’s “Baal Shem,” Three Pictures of Hassidic Life for Violin and Strings. As if he were a rhapsodic cantor, Oliveira weaved a tale of…

  • Tchaikovsky really knew how to create a barn burner when he wrote the String Sextet in D Minor “Souvenir de Florence,” Op. 70, and it really brought down the house at Thursday (July 23) evening’s Chamber Music Northwest concert. Even the first movement of Tchaikovsky’s gem, which started in electrifying fashion, succeeded to build tension,…

  • The evening weather was glorious—again—and the lawn and auditorium at Lakeside School were packed—again—as the ninth recital and concert of Seattle Chamber Music Society’s Summer Festival got under way. It’s getting almost old hat to say that performance and ambiance shone, but they did. Only one work on Friday’s program was quite familiar and that…

  • Elizabeth Harcombe grew up in Roseburg, Oregon where she began playing piano at the age of 5. She was the pianist at the church where her mother served as organist. Harcombe studied music at Biola University and later got a Master of Music Education degree with an emphasis in piano pedagogy from University of Oklahoma.…

  • The bassoon is often associated with humor and whether that is just or unjust doesn’t matter, because even bassoonists seem to revel in the comical aspects of their chosen instrument. So, several bassoon pieces in the second half of the Chamber Music Northwest concert (July 21) at Catlin Gabel caused lots of chuckles. But the…

  • Last night’s Lakeside concert was preceded by a recital by pianist Jeremy Denk.  Denk tossed off three of Gyorgy Ligeti’s Book One etudes — Cordes a vide, Fanfares, and Arc-en-ciel.  To help with the etudes, Denk also programmed Debussy and Liszt.  Liszt’s “Rhapsodie espagnole” was a raucous affair, but for me, there was plenty of…