By R.M. Campbell
The performance of the “Messiah” during the Christmas season is one of the oldest, if not the oldest, traditions of the Seattle Symphony Orchestra. There is nothing unusual in this commitment to Handel’s oratorio. It is a work of pure, seemingly inexhaustible, genius. Although the work was intended as a vehicle to celebrate Easter, it works very well during the holiday season. Moreover, it sells tickets. This weekend the symphony presented five performances at Benaroya Hall. The symphony’s attachment to the “Messiah” is not singular. All sorts of ensembles, if they can muster a small orchestra and chorus and a quartet of vocal soloists, present the piece in some form or another.