Gathering Note

Notes from the concert hall

Tag: Symphony

  • Violinist Randall Goosby, who has been dazzling audiences since his debut with the Jacksonville Symphony at the age of nine, took center stage with the Seattle Symphony for a recent series of concerts.  Goosby’s smooth and warm tone, reminiscent of an earlier era of violin performance – which is not surprising from a former student…

  • Ludovic Morlot impressed again this week with a program that featured the smartly chosen Ameriques of Edgard Varese and Stravinsky’s classic ballet the Rite of Spring. As Morlot pointed out in the open rehearsal earlier in the week — Varese is to Stravinsky the way Beethoven is to Haydn. Ameriques’s homage to the Rite is…

  • Listen boldly. This is the new motto for the Seattle Symphony. In only two concerts with his new orchestra, Ludovic Morlot is challenging audiences to do exactly that. Last weekend he began this season’s survey of Henri Dutilleux’s orchestral music with the composer’s violin concerto — Tree of Dreams. Violinist Renaud Capucon made his Seattle…

  • By Philippa Kiraly Grieg the Norwegian and Sibelius the Finn dominated last weekend’s concert by the Auburn Symphony. On Saturday night at the Auburn Performing Arts Center what came across most strongly was the host of dark colors those two composers evoke. Building a portrait with each work they played, the orchestra and conductor Stewart…

  • By R.M. Campbell One often does not know how a particular symphony program comes into being. Take what the Seattle Symphony Orchestra is calling “Viola Spectacular with Pinchas Zukerman.” The first of three concerts was Thursday at Benaroya Hall. Does the idea belong to SSO music director Gerard Schwarz, the soloist or was it a…

  • By R.M. Campbell The Seattle Symphony program had plenty of merit — Ravel, Messiaen, Mozart and Brahms — and so did the playing and conducting Thursday night at Benaroya Hall. Douglas Boyd was the conductor and pianist Peter Serkin the soloist. The Scottish conductor is new to Seattle, Serkin is not. The young conductor has…

  • By Philippa Kiraly Thursday’s Seattle Symphony concert at Benaroya Hall was beautifully designed. First, a world premiere based on Mozart themes, followed by one of the symphonies and one of the horn concertos, and after intermission, the composer’s last work, his Requiem (which was completed after his death and from his notes by Franz Suessmayr).…

  • In less than two years Geoffrey Larson and the Seattle Metropolitan Chamber Orchestra (SMCO) have gone from a pick up ensemble of sorts, with an ever changing cast of musicians, to a core ensemble of 29 musicians that made its Benaroya Hall debut on January 15th. SMCO is an exceptionally talented group of musicians, that…

  • This season with the SSO, nearly every week is an adventure in brand new music written especially for this, Gerard Schwarz’s last season as music director. The Gund/Simony commissions are in addition to the new pieces and premieres already scheduled for the season. This was again the case this past weekend. Two new pieces, one…

  • By Philippa Kiraly It restores faith in the future of classical music to go to hear the Seattle Youth Symphony Orchestra. There are many kids listening attentively in the audience to the mass of kids playing on stage. The big orchestra is professional in demeanor, and the performance is high class playing. While much of…