Category: Seattle

  • Next weekend Morlot takes a stab at his first Mahler with the Seattle Symphony. For this he chose Kindertotenlieder, one of Mahler’s sublime song cycles. So far I am loving Morlot’s choices. He isn’t going for typical anything.

  • Ludovic Morlot impressed again this week with a program that featured the smartly chosen Ameriques of Edgard Varese and Stravinsky’s classic ballet the Rite of Spring. As Morlot pointed out in the open rehearsal earlier in the week — Varese is to Stravinsky the way Beethoven is to Haydn. Ameriques’s homage to the Rite is…

  • Today the SSO is opening its doors to the public with an open rehearsal of this weekend’s performance. We will get to watch Morlot and the orchestra tinker with the Rite of Spring and if we are lucky Edgard Varese’s Ameriques, which if the program notes are to be believed, will close out the concerts…

  • Listen boldly. This is the new motto for the Seattle Symphony. In only two concerts with his new orchestra, Ludovic Morlot is challenging audiences to do exactly that. Last weekend he began this season’s survey of Henri Dutilleux’s orchestral music with the composer’s violin concerto — Tree of Dreams. Violinist Renaud Capucon made his Seattle…

  • The experience of listening to music — recorded or otherwise — is impacted by countless external forces. And for me, the surrounding context of hearing music is as important as the music itself. Years ago a close friend of my family fell ill. At the time, no one knew this person’s days were limited; their…

  • The summer festival season starts in earnest tomorrow with the commencement of the Seattle Chamber Music Society’s 6 week long festival. This year’s festival marks the 30 year anniversary of Toby Saks’ affiliation with the festival. She founded the series, played an integral part in recruiting top-shelf talent for the festival, and after this summer…

  • The Seattle Symphony has finally found a principal cellist. The spot has been vacant for years. Joining the section will be Efe Baltacıgil. Baltacigil comes from the Philadelphia Orchestra where he is the associate principal cellist. This is a good selection for the SSO, and it says much about the optimism many people in the…

  • By R.M. Campbell When Gerard Schwarz first came to Seattle, in 1983, he was not going to stay. Music director of the Los Angeles Chamber Orchestra, he was about to launch himself in the world of major orchestras. The Seattle Symphony Orchestra must have seemed like dull pickings. But no other invitations were immediately forthcoming,…

  • Seattle Opera released the details of their next Ring Cycle and Meistersinger, Seattle Opera’s next stand alone Wagner opera. Principal guest conductor Asher Fisch will lead both performances from the pit. Fisch possesses a deep understanding of Wagner’s operas. After guiding a beautifully played Tristan last summer, it is only natural that Fisch be the…

  • R.M. Campbell Goodbye, as they say, is sweet sorrow, particularly in the hands of Pacific Northwest Ballet. In recent years, the company in June does what it calls a “Season Encore,” which means a single performance dedicated to departing dancers. This season the class was especially large, with eight, possibly a record, including four principals:…