By Philippa Kiraly
On tour around the country, the Moscow Virtuosi Chamber Orchestra made a stop at Benaroya Hall, Sunday night. It seems as though Seattle’s Russian community turned out for it in droves—I heard little English spoken that night, and it was a deeply attentive audience.
The two halves of the program were separated by close to two centuries, the first half containing the Symphony No. 4 in D Minor (called “La Casa del Diavolo,” or “The House of the Devil”) by Boccherini from 1771, and Mozart’s Piano Concerto No. 9 in E Flat Major from only six years later. The two works of the second half were composed even more closely together: Schnittke’s Sonata for violin, chamber orchestra and harpsichord, transformed from his own 1963 sonata for violin, and Shostakovich’s Chamber Symphony in C Minor, arranged under his aegis by Rudolf Barshai from his 1960 Eighth String Quartet, Op 110.
Continue reading Moscow Virtuosi Chamber Orchestra lives up to its name
