Richard Strauss – Gathering Note

Mäkelä’s heroic survey in Chicago

Klaus Mäkelä is back in Chicago for one program before taking the orchestra on a week-long tour of the Northeast. A performance at Carnegie Hall—featuring the same program he conducted this weekend, a survey of two heroic depictions in Strauss’s Ein Heldenleben and Sibelius’s Lemminkäinen Suite—anchors the tour.

This isn’t Mäkelä’s first journey to Carnegie Hall with one of his orchestras. He has previously brought both the Orchestre de Paris and the Royal Concertgebouw Orchestra to the storied venue, receiving mixed but always passionate critical responses. Hopefully this next foray into New York’s unforgiving critical landscape fares better.

Based on Friday evening’s performance, it should. Both works chosen by the Finnish conductor hold deep historical connections to the Chicago Symphony. Theodore Thomas led the U.S. premieres of Strauss’s Ein Heldenleben, and both “The Swan of Tuonela” and “Lemminkäinen’s Return” from Sibelius’s suite. And a few years ago, Mäkelä even programmed “The Swan” in one of his early guest appearances here. These scores clearly suit him.

Hide the moon! Hide the stars!

Illustration by Aubrey Beardsley for the first English edition of the play

After finally seeing Lyric Opera’s current Salome, I’m convinced more than ever that this isn’t just a fine opera, it’s riveting theater.

For this run, Lyric is using David McVicar’s darkly disturbing 2008 production for the Royal Opera House, and it works. The upstairs/downstairs staging pits Herod’s decadent elite against quarreling religious factions in a way that percolates with tension. My only quibble? “The Dance of the Seven Veils” felt a touch too abstract. But everywhere else—especially in Salome’s mad, final scene—McVicar’s vision hit its mark.

John Sharp and Don Quixote: Chicago Symphony’s principal cellist returns to a classic role

CSO Principal Cello John Sharp. Photo Credit: Todd Rosenberg

Originally published at Seen and Heard International

“It was intimidating and it was thrilling. That’s what I remember about my first audition week,” John Sharp says, reflecting on his first moments with the Chicago Symphony Orchestra. “To see Solti conduct and the way the orchestra played—it was really something incredibly exciting.”

Sharp, now the CSO’s principal cellist, began his musical journey far from the concert stage. Growing up in Texas, it was a stroke of luck that led him to the cello. “It was complete chance, really. I raised my hand,” he recalls, thinking back to his early days with the cello. “I was trying all kinds of things and ended up choosing the cello.” That choice propelled him on a professional journey that, starting October 24th, will see him perform Richard Strauss’ Don Quixote with the CSO under the baton of Donald Runnicles.