May Day! May Day! part two

May Day is still going at Seattle’s Town Hall. I finished my last two hour set. Highlights for me were Stuart Dempster’s moving tribute to double bassist Matthew Sperry; Byron Au Yong’s Kidnapping Water: Bottled Operas; and Michael Lim and Melia Watras’ improvisations on S.O.S. Alas, wifi problems are continuing. Sometimes the network works, other times not so much.

Still to come: The Esoterics; Christina Valdes and friends play Louis Andriessen’s Workers Union; Paul Rucker playing Call, a piece he wrote for cello; and to close the night the Seattle Chamber Players do Nicolai Korndorff’s Get Out.

Hearing and helping emcee this festival has been a tremendous experience.  I’ll be remembering and processing the music a few days.  I am looking forward to hearing Byron Au Yong’s CD of 24 of his bottled operas.  I’m curious about the trial and execution of Joe Hill thanks to Wayne Horvitz.

I hope it happens again next year. In the meantime, here are some pictures from the the afternoon and evening:

May Day! May Day!

Julia Tai and friends before performing Tehillim

Technological problems are preventing me from posting from inside Town Hall so I’ve stollen away to the cafe in the lobby for a quick post.

We are now more than three hours into the festival and we just heard two sections from Steve Reich’s Tehillim by Julia Tai and friends. Tai and her friends will be doing the entire piece later this spring in Magnolia. Look for more information here and elsewhere. It is well worth seeking out.

My two hour emcee block was…well…interesting. It was hard being first and it was hard to draw energy from a crowd that was still coming together. A short piece by the Affinity Chamber Players put everything ahead of schedule by a little bit.

Continue reading May Day! May Day!

Amelia sneak peek

Daron Hagen, the composer of Amelia.

Reminder

: I’ll be live blogging the Amelia sneak peek tomorrow afternoon.  Check back here at 2 pm and you can access my live blog of the event.  To watch the live blog, click the link below and a new window will open up.  Or, if you prefer, you can click the Live Blog tab at the top of the page and you can watch an embedded version of the blog.  I hope you tune in, It should be fun and interesting.

Seattle Opera is holding a “sneak peek” event for bloggers on April 13 from 2:00 pm to 3:00 pm.  Seattle’s community of arts bloggers (who are they?) will be meeting with the creative team responsible for Amelia.  It is the first commission for the opera in more than 40 years.  Perhaps more striking is Amelia is an American opera, set in America, about American things.  American opera isn’t as cemented in the repertory as its French, German, and Italian counterparts.  Of course, there are exceptions.  Nixon in China (John Adams), Porgy and Bess (George Gershwin) and Vanessa (Samuel Barber) are successful relative to other American operas, but I would hesitate to call them repertory staples.

Amelia is a big deal for Seattle Opera and could be considered a more important operatic achievement than the every-four-years Ring cycle.  In any event, you can use the link below to open up a pop out window that will let you follow the live blog.  Or, you can always check out the Live Blog page by clicking the tab at the top of this page.

TODAY: TGN live blog’s Frank Ferko “Meet the Composer” reception


TGN is launching another live blog event. This time, I will be live blogging from the Choral Arts’ Meet the Composer reception with composer Frank Ferko starting at 6:30 pm this Friday at Fare Start.  Attending the Meet to Composer reception with Mr. Ferko is a good opportunity to meet and interact with one of the country’s foremost choral composers.  However, if you can’t attend, follow the live blog by checking back with this post or visiting the Live Blog page.

Choral Arts is presenting Ferko’s austere Stabat Mater this weekend at St. James’ Cathedral.
Continue reading TODAY: TGN live blog’s Frank Ferko “Meet the Composer” reception