July 2025 – Gathering Note

Music of the Baroque’s Theodora is free to view for a limited time

In the lead up to Music of the Baroque’s emerald anniversary season, they are making last season’s performances free to view for a limited time. This week, Handel’s Theodora is on offer.

Handel’s Theodora isn’t one of his most frequently performed works, but those who know it tend to hold it close. Premiered in 1750 and largely overlooked in its day, this oratorio trades the grandiosity of Messiah for something more poignant and intimate. It tells the story of a Christian martyr and her Roman lover, not with bombast, but with music of startling tenderness and quiet strength. Music of the Baroque’s performance invites a fresh hearing of a work that Handel himself considered one of his best.

Catch it while you can.

Berkshire Record Outlet calls it quits

An unfortunate email arrived in my inbox yesterday from the folks who run Berkshire Record Outlet:

Dear fellow music-lovers,

The time has come to announce our closure within the next sixty days. In the interim, we have a backlog of new and restocked titles that we plan to offer you via our usual updates, in preparation for the subsequent sale of the entire inventory to a consortium of wholesalers.

With one exception, we’re all well past retirement age, and the challenges of running a niche business in the year 2025 are more than this near octogenarian is willing to confront. In short, after fifty-one years, we bid you farewell.

Thank you all for your patronage.

Best wishes,

Joe Eckstein

A second look at The First Homosexuals at Wrightwood 659

Summer Listening: Beethoven, Haydn and Rush Hour Concerts

We are deep into Classical Music Chicago’s Rush Hour Concert season now, and this series continues to prove itself as one of the best deals for classical music lovers in a city starved for a decent chamber music scene. For those who haven’t been able to attend in person, I’ve pulled together a few standout performances from this season’s YouTube archive.

While these recordings offer a wonderful glimpse into the series, nothing quite matches the immediacy and warmth of experiencing live chamber music in an intimate setting like St. James Cathedral . The good news? There are still several concerts left in the season, including the Chen Quartet’s July 29^th performance premiering a new work by Augusta Read Thomas and the season finale on August 19^th featuring Dvorak’s Serenade for Winds. Two excellent opportunities to discover why Rush Hour Concerts are such an essential part of Chicago’s summer classical music landscape.

In the meantime, if you’re catching up, don’t miss Matthew Lipman’s lyrical take on Brahms’s two viola sonatas or the Kontras Quartet’s engaging performances of Ives and Terry Riley—both are well worth your time.

Exploring Gustave Caillebotte’s unique Impressionism

As an independently wealthy artist, Gustave Caillebotte had no need to cater to commercial tastes—freeing him to explore his own vision. The Art Institute’s exhibit Gustave Caillebotte: Painting His World reveals how he fused Impressionist techniques with strikingly original subject matter: intimate nudes, dynamic scenes of men at work, and unflinching depictions of laborers rarely seen in the movement.

Gustave Caillebotte: Painting His World runs until October 5th, 2025