Gathering Note

Notes from the concert hall

Tag: Chamber Music

  • For their final program of the 2025–26 season, the Rembrandt Chamber Musicians—drawn from the Lyric Opera Orchestra and the Chicago Symphony Orchestra—offered a thoughtful look at how geographic displacement can refine a composer’s identity. The concert, performed May 17, was delivered with the poise of musicians who thoroughly understand the mechanics of ensemble playing. Dvořák’s…

  • Nova Linea Musica hosts the Catalyst Quartet in Against All Odds a program of resistance and reach

    John Adams has a way of claiming the air around him. For the better part of fifty years, his music has defined the sound of American classical life, much as Aaron Copland’s did in the middle of the 20th century. So when a concert begins with Adams and then turns its attention elsewhere, the gesture…

  • We are deep into Classical Music Chicago’s Rush Hour Concert season now, and this series continues to prove itself as one of the best deals for classical music lovers in a city starved for a decent chamber music scene. For those who haven’t been able to attend in person, I’ve pulled together a few standout…

  • Spring is struggling to take hold here in the Midwest. Just when you think warm temperatures and sunshine are here to stay, a cold spell with rain arrives to dampen the mood. Still, the weather won’t stop the summer classical music season from arriving in mid-June. Classical music sounds better in the summer, at least…

  • Originally published on Seen and Heard International Chicago’s classical music scene is undeniably shaped by the towering presence of the Lyric Opera and the Chicago Symphony, institutions that draw crowds with their scale and prestige. Against this backdrop, the Chamber Music Society of Lincoln Center’s series at the Harris Theater stands out as a quieter,…

  • Cornish College is fast becoming Seattle’s center of daring, modern classical music performances. It is a rapid turn around for a college and a music program which identifies itself readily with John Cage, a composer critical to the growth of avant garde music in the United States. The school doesn’t boast a resident student orchestra…

  • By Philippa Kiraly Last year at Seattle Chamber Music Society’s Winter Festival, one of the concerts was devoted to Schumann’s Piano Trios. It was such an enlightening and successful performance that artistic director Toby Saks asked the same three players to do a similar concert at this year’s festival with Brahms’ Piano Trios. The result…

  • By Philippa Kiraly By this stage in the winter, many people are starved for more chamber music than they can get from the excellent but not so frequent performances on the UW Chamber Music Series. When Seattle Chamber Music Society’s Winter Festival arrives at Nordstrom Recital Hall, with four recitals and four concerts in four…

  • By Philippa Kiraly The Phiharmonia Quartett Berlin needs no introduction to devotees of chamber music, with more than a quarter century of performances behind it and a reputation as one of the best. Playing at Meany Theater last night on the UW International Chamber Music Series, it gave performances of Shostakovich, Beethoven and Debussy that…

  • Composer Alexander Bishop’s music came into wider awareness last spring when SSO violist Mara Gearman played two of his works as part of Paul Taub’s May Day, May Day festival. Gearman was looking for a couple of new pieces of music to play for the festival, and Bishop was seeking a violist to to play…