Gathering Note
Notes from the concert hall
Tag: Chamber Music
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By Philippa Kiraly Violinist Ani Kavafian, pianist Andre-Michel Schub and clarinetist David Shifrin had been friends and musicmakers together for years before they formed the Trio made up of their last names, and the communion betweeen them was clear Wednesday night at the University of Washington’s Meany Hall. Opening the UW International Chamber Music Series…
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To hear pianist David White tell the story of one of the most famous clove triangles in the history of music, Johannes Brahms and Robert Schumann’s music wouldn’t exist as we know it without the presence of Clara Schumann — friend to Johannes, wife of Robert, accomplished pianist, and gifted composer. it is hard to…
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The Odeonquartet’s fall concerts brought back pieces the group has played before, and injected a premiere of a piece they played on their recent trip to Russia. Heather Bentley, the group’s violist posted about their Russian tour on TGN. Each of the two concerts — the first one on Vashon Island and last Monday’s performance…
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John Cage’s music is a source of great frustration for me. It Is paradoxically rigid and fluid. Unpredictability reigns with decisions left to chance and the whims of musicians. Cage’s instruments are familiar — often used in unfamiliar ways. Just as often, Cage doesn’t use instruments at all but relies on ordinary objects to create…
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Seattle Percussion Collective Plays John Cage from gatheringnote on Vimeo. Last night the Seattle Percussion Collective played a show of late John Cage percussion works at Gallery 1412 at the collision of Capitol Hill and the Central District. I’ll be writing a longer post about the experience later today. In the meantime I urge you…
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By Philippa Kiraly Time was, maybe 17 years ago, when Seattle Chamber Music Society’s Summer Festival was full of well known classics. We could confidently expect to hear Brahms, Beethoven, and Schumann, Mozart and Haydn, Tchaikovsky and Dvorak. Sure there was, is, plenty to choose from among much-loved works. Some amongst us grew restless, wanting…
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By R.M. Campbell Memories can be short and distorted, but it seems to me, as the Seattle Chamber Music Festival enters its final week of the summer, this season has been if not the best than one of the best in its nearly 30-year history. Two things are certain. The move from the dull acoustics…
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By Philippa Kiraly Seattle Chamber Music Society’s summer festival has headed to The Overlake School in Redmond for its final five concerts, the first of which took place in those beautiful surroundings Wednesday night. But first, the Society’s associate artistic director, James Ehnes, came out to give a tribute to the late George Shangrow, citing…
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By Philippa Kiraly Despite concerns and trepidation over its move from the bucolic ambiance of Lakeside School to the urban Nordstrom Recital Hall at Benaroya, Seattle Chamber Music Society’s summer festival there has been an undoubted success. It managed to fill, mostly, over 100 seats more than Lakeside has for each concert and recital. It…
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By R.M. Campbell There has been so much to admire in the concerts that I’ve attended at the Seattle Chamber Music Festival this season at Nordstrom Recital Hall, it seems redundant to say so yet again. But it is the truth. As always there are musicians making their festival debut. A more significant new element…