An Experience which reached the Sublime: Cappella Romana and Arvo Part

If you were frazzled or upset, worried, angry or just tired, Holy Rosary Church in West Seattle was the place to be Saturday night.

It took less than the first minute of singing by Cappella Romana to set an atmosphere of being wrapped in peace for the entire concert.

It was a perfect marriage, the pure and very well trained voices of Cappella Romana, this time with women as well as men, singing unaccompanied and without intermission or interruption the “Odes of Repentance” of Arvo Part, in a church which lets the sound linger in the air.

Continue reading An Experience which reached the Sublime: Cappella Romana and Arvo Part

Der Ring des Nibelungen

The Ring starts tomorrow and the The Gathering Note will be there. For the rest of the month, we will be covering this once-ever-four-year operatic event. Come by The Gathering Note regularly for:

  • RM Campbell’s reviews of the first cycle
  • My own thoughts on the event and performances as a first time Ring goer
  • Special audio and video interviews with key people and performers
  • Feature stories by Philippa Kiraly on the technical aspects of this Ring
  • James Bash will report from the second cycle.
  • You can also follow The Gathering Note on Twitter where I will be providing updates from McCaw Hall

If you are going to the Ring, and don’t mind being interviewed for a few minutes after each performance or during intermission, send me an e-mail at zach@gatheringnote.org. I hope to include audience reactions on this site for each cycle.

Happy Ringing!

Das Barbecu opens at Thursday night at ACT

I attended the premiere of Scott Warrender and Jim Luigs’ original take on Wagner’s “Ring” cycle, “Das Barbecu,” in 1991. I don’t remember a single detail except that it was rollicking and a hit with audiences. The piece was reworked from a succinct one-act version to its current two acts over several years at places like Goodspeed Opera House in East Haddam, Conn., and Center Stage in Baltimore, making its way to New York and Off-Broadway in 1994. Now, this remarkable coupling of “grand opera and Grand Ole Opry,” to use stage director Stephen Terrell’s telling phrase, has returned to Seattle. It opened a 30-day run Thursday night at ACT.

Continue reading Das Barbecu opens at Thursday night at ACT

Nadja Salerno-Sonnenberg talks about her new album with the New Century Chamber Orchestra

nss-together

Violinist Nadja Salerno-Sonnenberg is known internationally known for her dynamic and virtuosic performances, but over the past few years she has successfully launched her own record label (NSS Music) and just last year she became the music director of the New Century Chamber Orchestra, a top-tier ensemble that is based in San Francisco. On August 11th, Salerno-Sonnenberg and the New Century Chamber Orchestra are releasing their first album (on the NSS label) called “Together.”

“Together” contains the world premiere recording of “Impressions: Suide for Chamber Orchestra,” by Clarice Assad, “The Four Seasons of Buenos Aires” by Astor Piazzolla, “Romanian Folk Dances” by Béla Bartók, and “Bess, You Is My Woman Now” by George Gershwin. In this album, Salerno-Sonnenberg performs as concertmaster and soloist, and you can tell right away that she has inspired her colleagues in the New Century Chamber Orchestra to give each piece everything they’ve got. Continue reading Nadja Salerno-Sonnenberg talks about her new album with the New Century Chamber Orchestra

Previewing the 2010 SCMS Seattle festival

Lakeside's charm will no longer be part of the SCMS festival.
Lakeside's charm will no longer be part of the SCMS festival.

Even as the Seattle Chamber Music Society’s Lakeside Festival was wrapping up, organizers and audience members were busy evaluating the festival’s future home – Nordstrom Recital Hall. After 28 years, the Seattle festival is moving from the Lakeside School on the Shoreline/Seattle border to downtown.

If the summer festival were exactly like SCMS’s winter festival there wouldn’t be as much uncertainty about the location. SCMS has successfully used the Nordstrom Recital Hall for a number of years now. Musicians mostly like the venue. Opinions, however, are mixed on the hall’s acoustics. And the audience appreciates the proximity to parking and other downtown amenities. But that is for the winter festival, when Seattle’s weather tends to be unpleasant and dark.

Continue reading Previewing the 2010 SCMS Seattle festival

Ephemera

This past weekend, I had the chance to hear The Esoterics perform at Holy Rosary Church in West Seattle. This particular concert was titled Ephemera and was built around the fleeting joys of nature. The Esoterics are known for the committed performances of contemporary choral music. This recent concert was no exception. Every piece on the program was written by a composer born after 1920.  Four of the six pieces were written by composers born after 1969.  The youngest being Scott Perkins who is not yet 30 years old.

Eric Banks – Esoterics founder, conductor and composer – programmed his own piece “12 Flowers” leading the group in the Seattle premiere of the piece. I was taken by the piece. Banks sets 12 haikus by Yosa Buson to music.  Banks translated twelve of Buson’s flower haikus for the piece. Interestingly, Banks didn’t employ breaks between the pieces, instead each flower flowed into the next creating a continuum of sound.  Or, as Banks says in the program notes — a bouquet.  Also, Banks utilized the morphology of each flower represented in the poems to guide the music. For instance, flowers that were smaller, and had more petals were sung faster and felt more scattered – like snow as Banks would say later. Imagine walking under a blossoming cherry tree and being surrounded by petals falling from the tree. Now try to imagine, like Banks did, this same experience in music.  The chorus sings swiftly.  The moment feels free and easy as singers flutter through the music.

Continue reading Ephemera

Jennifer Larmore plumbs the depths of royal tragedies in brilliant recording

Jennifer Larmore has a gorgeous voice that she displays to wonderful effect in “Royal Mezzo,” an album released last year by Cedille Records. Containing secular cantatas by Barber, Berlioz, Ravel, and Britten, this recording is a treasure trove for Larmore, who soars to highest peaks and dives to the uttermost depths in each piece. In this musical journey, Larmore gives us insightful performances of privileged women who find themselves (with one exception) in tragic circumstances. In other words, there are no light-weight, frilly pieces in “Royal Mezzo.” This album is the stuff of grief and resonance. And Larmore, singing with the Grant Park Orchestra under the direction of Carlos Kalmar, combines rich timbre and urgency to get to the heart of each work. Continue reading Jennifer Larmore plumbs the depths of royal tragedies in brilliant recording

Off the shelf

Neeme Jarvi, Royal Concertgebouw Orchestra, Boris Berman and Horacio Gutierrez (piano); Sergey Prokofiev Piano Concertos 1-5 ***
Neeme Jarvi and the Royal Concertgebouw Orchestra recorded Prokofiev’s five piano concertos between 1989 and 1990. For the recording, Jarvi and the orchestra are joined by Boris Berman in Nr. 1, 4, and 5 and Horacio Gutierrez in Nr. 2 and 3. Jarvi’s Prokofiev interpretations are special. Unlike Gergiev who pushes through the music too quickly in his LSO Phillips recording of the symphonies and Ozawa whose interpretation of the same music is the sonic equivalent of quick sand – slow, unpleasant, and sinking – Jarvi’s Prokofiev recordings tend to be astutely paced. This concerto set is no different. For instance, Jarvi pushes the First Concerto forward feverishly but also takes time in the middle of the piece, to hang on the piece’s lyricism. And, the Fifth Concerto zips along without sacrificing orchestral color. Along with Ashkenazy’s recording of the complete piano concertos, this re-release is a satisfying way to acquire all five concertos at a wallet friendly price.

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Your favorite opera of “Der Ring Des Nibelungen”

Brunnhilde's ledge
This is no man! Brunnhilde's ledge for Seattle Opera's production of The Ring.

The first Ring Cycle is less than a week away.  In honor of this once-every-four-year event, take a moment to vote for your favorite opera in the cycle.  The poll closes on August 14th at the end of the first cycle.