God knows, we need humor these days

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Four years after beginning to make movies and near the end of World War I, Charlie Chaplin completed building his own movie studio in a Hollywood orange grove at a cost of $1.2 million.

“He was such a creative genius, such a strong character, he needed complete freedom. It was the most sophisticated state-of-the-art film studio in the world,” says artistic director of the Northwest Sinfonietta, Christophe Chagnard. There, the little man who created the Little Tramp wrote, scripted, produced, edited and acted in his own movies and also composed the accompanying music. “He couldn’t really read music though he played left-hand violin and piano, but all the material is from him and he had an arranger score it (for the orchestra). I’ve always admired him.”

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All Mozart, all the time

It has been a while since I attended an all Mozart concert.  The last time, probably, was back in 1997.  It was a different time then.  I was new to classical music and enchanted by everything I heard.  Even at that last all Mozart concert, the Posthorn Serenade melted into whatever else was on the program.  All of it was enjoyable, but none of it was terribly memorable.  So, when I settled into my seat for last weekend’s Orchestra Seattle concert I was skeptical it could work.  For all of Mozart’s genius, too much Mozart is not always a good thing by my ears.  Sameness can hold back a concert, especially in the case of Mozart.

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