“Cigars, cigarettes? Sweets, flair?” If you heard these sing-song syllables from a beautiful cigarette girl ringing out over a noisy theater the last time you went out, you either last went to the movies in the 1950s, or attended the premier of the Opera Theater Oregon/Filmusik production of Mario Bava’s Hercules vs. Vampires this weekend. (Of course the cigars are bubblegum and the cigarettes chocolate or mint, but with all proceeds going to OTO, the ambience is what counts.)
This isn’t the first joining of forces between OTO, Portland’s homegrown alternative opera troupe, and Filmusik, a project that re-imagines the sonic world of classic cinema through brand new sound- and vocal tracks. It’s not the first collaboration, but to date it may be the most brilliant. Thanks to the combination of Los Angeles composer Patrick Morganelli’s inspired short opera composed specifically for this film, the sterling quality of the OTO singers and Erica Melton’s expert direction of the Filmusik orchestra, Hercules vs. Vampires (It. Ercole al Centro della Terra) was a high-caliber musical experience coupled with the guilty pleasure of watching a campy old movie. In short, it was exactly the type of experience that Filmusik seeks to impart and contintually does, in fresh new iterations time and again.
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