Road report: Twilight of the Gods, LA Ring

Hagen and Alberich. Photo courtesy LA Opera

By Jonathan Caves

On the last night of the first complete Ring Cycle at Los Angeles Opera Symbolism took the lead: from the moment the curtain dissolved and the stage lights came up we were presented with an array of symbols from across the whole cycle. Loge: hanging over the stage foreshadowing the inferno to come. The Tarnhelm: reminding us that no one is exactly as they seem. Nothung: a symbol of power that is ultimately impotent. These symbols remained in place all night as a constant reminder of the grand themes of the Cycle. There was a rising tension and a sense of inevitability about this production of Götterdämmerung – it was thrilling to watch. When Act I of Götterdämmerung flies by you know you are in for a great night at the theatre.

The Norns told their tales with minimal fuss and some great singing – my only issue was the rather strange costumes – if one of them fell they wouldn’t have stopped until they took out the cello section in the pit.
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