Review originally published at Seen and Heard International
Verdi’s La traviata is one of the handful of operas that is instantly recognizable by the wider public. Since its premiere in 1853, it has never left the repertoire. Its legendary arias, such as “Sempre libra,” and its tragically realistic portrayal of a doomed love story captivate audiences to this day. From Maria Callas onward, every great soprano has tried to master the complex character of Violetta. Yet La traviata’s rich history and traditions pose a challenge to opera companies: how can you make this classic opera fresh and engaging for an audience that knows it by heart, even if they have never seen it live?
Fortunately for Pacific Northwest opera-goers, the Seattle Opera has risen to the challenge. Its current production of La traviata creates a grand experience by focusing on the work’s most intimate moments. The three main characters — Violetta, Alfredo and Germont — live in a world of decadence, privilege, and hierarchy, where lavish parties and balls contrast with country estates. The production’s sets reach from floor to ceiling, giving an imposing sense of scale. Though the sets at first glance might give the impression that this is a more traditional production, sharp lines and clean margins give it a modern touch and introduces an uneasy sense of isolation. Seattle Opera’s blithe chorus and crisp playing from the orchestra underscore the social atmosphere and the drama of the story. The lively atmosphere they create, makes it seem possible that anyone, especially Violetta and Alfredo, could ignore their troubles in the name of love.
Continue reading A Grand and Intimate La traviata at Seattle Opera
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